GALLERIES
GALLERIES
GALLERIES
Celebrities, Events...
Celebrities, Events...
Celebrities, Events...
AWARDS & FESTIVALS
AWARDS & FESTIVALS
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SERIES
SERIES
ABOUt us
Redynamising the film industry of the Democratic Republic of Congo
Since the early 1900s, Congolese films have captivated global audiences with their rich narratives and cultural diversity. CONGOFILMZ is working to reboost the technological and commercial institutions of filmmaking.
By organising glamorous cinematic events that highlight the unique perspectives, experiences, and creativity of Congolese filmmakers, providing trainings and producing movies, we aim to rejuvenate the industry and empower them to tell our own authentic stories.
Much like Nollywood, Bollywood, and Hollywood, CongoFilmz proudly represents the Congolese film industry and seeks to change narratives and elevate the global presence of Congolese cinema.​
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MISSION & VISION
CONGOFILMZ: EMPOWERING THE CONGOLESE FILM INDUSTRY​​​
​​CongoFilmz, driven by a passionate commitment to the Congolese film industry, has set forth ambitious objectives to transform the landscape of filmmaking in Congo and beyond. Here are the key goals that define our mission:
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​CULTURAL REVIVAL
We strive to breathe new life into the cultural and artistic aspects of filmmaking. By celebrating our unique narratives, traditions, and creativity, we contribute to the vibrant tapestry of global cinema.
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BOOSTING TOURISM
By improving narratives through filmmaking, CongoFilmz contributes to boosting tourism. Engaging storytelling and captivating visuals can attract visitors and showcase the beauty and uniqueness of Congo’s landscapes, people, and traditions.
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WIDER ACCESS
Our mission extends beyond borders. We aim to make Congolese films accessible to a diverse and international audience. Through cultural exchange, we foster understanding and appreciation across different communities.​​​
​​​SOCIAL IMPACT
Films have the power to shape society. CongoFilmz advocates for positive change by addressing critical issues through storytelling. We believe in the transformative potential of cinema to inspire dialogue, empathy, and progress.
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GLOBAL MARKET PRESENCE
As we nurture local talent, we also aspire to gain a significant market share on the global stage. By producing compelling content, we aim to captivate audiences worldwide.
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CULTURAL HERITAGE PRESERVATION
CongoFilmz takes pride in safeguarding our cultural heritage. Through education and awareness, we ensure that future generations understand the significance of films and moving images.​​
With filmmakers of Congolese origin and other collaborators, we are forging a path to a vibrant and thriving film industry. One that not only reflects our rich identity but also sparks creativity and makes a lasting impact on the global stage. Together, we are crafting a new narrative for Congolese cinema that will be remembered for generations.in the world.
BRIEF HISTORY
Following independence in 1960, the country experienced a series of civil wars that largely destroyed the nascent film industry. Foreign support has allowed some directors to make films in the DRC.
Mwezé Ngangura is the best-known Congolese director, having made his first short film, Tamtam électronique, in 1973 and the first Congolese feature film, La Vie est Belle, in 1987. Kibushi N'djate Wooto produced the animated short Crapaud chez ses beaux-parents in 1992 with French funding.
In 1994, Josef Kumbela made the short film Perle noire, which was followed by a series of other short films. Jose Laplaine's comic drama Macadam Tribu (1996) poked fun at the constant search for money, status and sex in Africa's urban neighbourhoods. Petna Ndaliko is an internationally acclaimed filmmaker and activist who co-founded and directed the cultural centre Yole!Africa and later the Salaam Kivu International Film Festival (SKIFF).
Guy Bomanyama-Zandu's 2005 documentary Le Congo, quel cinéma! shows how local productions struggle to make money. The film follows three Congolese technicians (Claude Mukendi, Pierre Mieko and Paul Manvidia-Clarr) and Ferdinand Kanza, a director who made films in the 1970s. Another 2005 documentary by the same director, La Mémoire du Congo en péril, describes the Congolese Film Library, which has thousands of films that form part of the history of Congolese cinema, some dating back to 1935. They are in extremely poor condition and in danger of being lost.
Filmmaker Balufu Bakupa-Kanyinda helped organise the first Semaine du film Congolais (Sefico) in May 2011 at Le Zoo, a cultural centre.